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Author : Peter London
Genre : Nonfiction
Most books that teach about watercolor and full-color and beautiful, and full of step-by-step instructions, so you can create a painting exactly like or similar to what the author/artist has created on the printed page. No More Secondhand Art by Peter London, in dull black and white, though, is my favorite. It’s about using art as an instrument of personal transformation, and is packed with inspiration and fresh ideas for art students, as well as for people who think they can’t draw a straight line and still want to explore the joys of creative expression.
Inside every person, London believes, there is an original, creative self that has been covered over by secondhand ideas, borrowed beliefs, and conditional behavior. By freeing the capacity for visual expression, individuals can awaken and release the true self. One of my favorite watercolor paintings came from working through his creative encounters.
“Whereas all normally functioning people, having once learned to speak, go on speaking through their life, very few people continue making images. Most of us are severed from this native ability to visually ‘speak.’ A major contribution factor must be how we have beene taught to make images. We have learned to be embarrassed by our efforts. We have learned to feel so inept and disenfranchised from our own visual expressions that we simply cease doing altogether. My experience as an artist, a teacher, and an art therapist convinces me that not the lack of technical skills but the inadequate and wrong-headed responses to these questions—Where do I begin? How do I know it it’s good? How can I use art no only to speak about the world I know and feel, but also explore the world, explore myself, define myself, and expand myself—are what silence us and keep the artist dormant.”
“The search for meaning is open-ended and exhilarating, if uncertain. Once we create imagery that honestly represents how life feel from the inside, there is a deep sense of personal empowerment and a new degree of private certainty as a result of having finally touched down to the original bedrock of our original self. We can learn to relax, play, and lighten up. . . Why couldn’t we be our own dearest friend or at least one of our dearest friends? Why couldn’t we take for one of our life’s works the exploration of the reaches of our own imagination. Why not trust ourselves to always be there for us, never to abandon us, to be lenient, forgiving, loving, and respectful? The experience is drawing from within helps us uncover such a companion.
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